![]() ![]() Chernow, Ron, Washington: A Life, (New York: The Penguin Press, 2010), 32.Ĥ. Chernow, Ron, Alexander Hamilton, (New York: The Penguin Press, 2004), 43.Ģ. If you feel your jaw starting to tense up, use some of these tips to relieve jaw tension.1. Once the “ng” is at a good volume level and a place in your voice you’re happy with, put the words back in, but leave them in that same small, light space the “ng” sat in. Now, try replacing the difficult passages with the “ng” sound, including that last sustain on burn at the end of the song. ![]() Sing a descending scale on “ng,” being careful not to push it into a belt but also holding back a lot of air on your exhalation. It’s also a great one because it forces you to work on restricting air in your exhalation. The “ng” sound is very difficult to belt and will most likely put you in a head-mix without your needing to tweak it that much. To find this voice, hover around the pitches the song centers around (lots of A4’s and F#4’s) and try speaking very quietly but without whispering, like you’re in a library. Developing a head-mix is the most important element of this. ![]() It’s the quiet parts: the beginning of the song the verse that begins with “I’m erasing myself from the narrative” and the final word, burn, on the A4. Interestingly, it’s not the belty parts of this song that take most of my students the longest to master. The line should sing, “wi-thunly the memory.” Probably the hardest vowel in here is the “oh” in only, as the diphthong doesn’t make for a very good belt. ![]() Once you do that though, try to create the same sound without pursing your lips, because that is not the end goal. You can also purse your lips and see what happens to the vowel. You can do that by putting a slight “euh” into your “ee” sound. Make sure your soft palate, that fleshy part toward the back of the roof of your mouth, is lifted on your “ee” sound when you sing the word sleep.Instead of “foreit,” try “fahr-fit,” using a softened “r” sound that almost verges on “fah-fit.”.If you’ve read my Hard Songs blogs before, it probably won’t surprise you to learn that I’m including some vowel modifications in here for the high notes. Try sitting on an “euh” sound and saving the “rn” to the very end. But the sustain on the word burn is long enough that you don’t want to make that sustain (or the runs) sit hard on the “errrr” sound–unless you’re thinking of making the song into a classic country cover. In fact, if you listen to Phillipa Soo, the one who originated Eliza in Hamilton, you’ll notice that she doesn’t modify her “r” that much when she’s belting out the word world. This doesn’t mean you have to ditch it every time you sing, as you’ll hear from some voice teachers. Soften and delay your “r” sound whenever the consonant is in the way. Let’s start with what I think should be most obvious to trained vocalists. Couple that with singing a fairly frustrating word, burn, where the “r” wants to cut your vowel off, and you have yourself a difficult passage. The Sustains and Runs are on a Hard-To-Sing Word It may not be the highest note we’ve ever discussed, but if you have a nice light head-mix that you’ve happily glided through the song with, you might be in for some problems when you reach the climax and need to belt “forfeit,” “sleep,” “only,” and “when.” 3. If you’re most comfortable as a belter, sometimes dialing it back can cause a lot of vocal tension. The quiet parts of this song tend to trip singers up as much as the loud ones because of how much precision they take. Not so with “Burn.” Control is what makes this one so tough. Some songs are hard because they require a constant heavy or high belt. ![]()
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